PORTFOLIO PREPARATION FOR NID , SRISHTI, SYMBIOSIS AND ARCHITECTURE STUDIES ABROAD
A portfolio is a visual archive of your artistic accomplishments that demonstrates your ability and potential as an artist. Students are encouraged to present a series of images that represents current interests. Also, the portfolio should document additional work that demonstrates an awareness of formal visual organizational principles and experience with a variety of tools, media, styles, and approaches. Every Design College has its own specific portfolio requirements. You should research the portfolio requirements for each school to which you are planning to apply.
How we help you:
Portfolios are prepared for admissions into Architecture ,Design and Art schools for Undergraduate and Postgraduate programs abroad. Some of the features of the workshop/ classes are as follows:
Print Making
Graphic Design
Story Boarding
Creative Writing
2D 3D Design
Product Design
Transportation Design
Original Thinking
Illustrations (using pencil, pen , colours etc.)
Computer Aided Designs
Introduction to mind mapping & assessing ones personal attributes etc.
Theoretical knowledge on subjects like introduction to portfolio, elements of design, colour theory.
Practical workshop on poster making, basic drawing, sketching & colouring, photography & 3D product development
Portfolio presentation techniques.
UNIQUE FEATURES
One to one hands-on guidance by our expert faculties to each student.
Unique portfolio for each student as per his/her unique abilities.
Test and Interview Preparation:
Mock tests, Sample Question papers ,Interview tips , mock interviews and discussions.
In the work of the early Renaissance sculptor Donatello (born Donato di Niccolò di Betto Bardi) life seems to burst out of the metal and stone. His greatest masterpieces include the vigilant marble Saint George (ca. 1417) in the Orsanmichele msueum, Florence; the graceful figure of young David (ca. 1440); and the impressive bronze equestrian statue of Gattamelata (erected 1453) that harked back to ancient Roman art. Donatello’s use of sinuous forms, which encourages the eye to move around the figure, influenced generations of Italian sculptors, mostly notably Michelangelo, well into the 16th century.
